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內容專家審核:劉思量 編號:300265617 詞彙類型:概念
全神貫注 absorption(formal concepts)
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範圍註 :
一種藝術概念。在某些藝術作品中,由於藝術家完全專注於對主題的刻畫描寫,而謹慎地移除了關於「觀者」的意識。
詞彙 :
全神貫注(P,,U,繁體中文-偏好,D,U,U)
ch'üan shen kuan chu(P,,U,韋氏拼音-偏好,UF,U,U)
quán shén guàn zhù(P,,U,漢語拼音-偏好,UF,U,U)
quan shen guan zhu(P,,U,漢語拼音(無聲調)-偏好,UF,U,U)
absorption(formal concepts) (P,,U,英文-偏好,D,U,N)
absorptie(formele begrippen) (P,,U,荷蘭語-偏好,D,U,U)
層面/層級編碼: B.BM
層級架構:

藝術與建築詞典根目錄
....關聯概念層面
........關聯概念
............<藝術概念>
................<藝術性概念>
....................<形式概念>
........................全神貫注
其他範圍註 :
英文....Concept that in certain works of art the awareness of the "beholder" is deliberately removed, due to the artist's depiction of the subject as completely absorbed by what he or she is doing.
荷蘭語....Het idee dat in bepaalde kunstwerken het bewustzijn van de 'kijker' opzettelijk wordt weggenomen doordat de kunstenaar het onderwerp heeft weergegeven als iemand die volledig opgaat in datgene wat hij of zij aan het doen is.
來源與貢獻者:
全神貫注............ [AS-Academia Sinica]
................. TELDAP database (2009-) 
ch'üan shen kuan chu............ [AS-Academia Sinica]
................. TELDAP database (2009-) 
quán shén guàn zhù............ [AS-Academia Sinica]
................. TELDAP database (2009-) 
quan shen guan zhu............ [AS-Academia Sinica]
................. TELDAP database (2009-) 
absorption(formal concepts)............ [VP]
................. BHA, Authority file (2003-) accessed 1 November 2005
................. Fried, Absorption and Theatricality (1980) 
................. Britt-Gran and Oatley, Fall of Theatricality, SubStance (2002) 
absorptie(formele begrippen)............ [Bureau AAT]
................. AAT-Ned (1994-) 
Subject:............ [AS-Academia Sinica]
................. Fried, Absorption and Theatricality (1980) 
................. Britt-Gran and Oatley, Fall of Theatricality, SubStance (2002) 
................. Van Dale Ne-En (1991) 
外部連結:
引用:
[全神貫注 absorption(formal concepts)(編號300265617)]。《藝術與建築索引典》。http://aat.teldap.tw/AATFullDisplay/300265617(2024/11/22瀏覽)。

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