英文.... | Refers to the work of a school of painters founded by Hasegawa Tohaku (1539-1610), probably located in Kyoto in or near Hompoji, a Nichiren temple affiliated with Tohaku's family. The style is characterized by typically large-scale works involving many rooms, with Chinese themes and motifs. It appears that Tohaku had four artist sons, but the school disappeared by the end of the 17th century. |
荷蘭語.... | Verwijst naar het werk van een school van schilders die is opgericht door Hasegawa Tohaku (1539-1610), en die zich waarschijnlijk bevond in Kyoto in of in de buurt van Hompoji, een Nichiren-tempel waarmee de familie van Tohaku banden had. De stijl kenmerkt zich door grootschalige kunstwerken die vele kamers besloegen, en Chinese thema's en motieven. Tohaku schijnt vier zonen te hebben gehad die ook kunstenaars waren, maar de school verdween aan het einde van de 17de eeuw. |
長谷川派............ | [AS-Academia Sinica] |
................. | 和英對照日本美術用語辭典 p. 513 |
................. | 日本藝術史 p. 159 |
................. | 日本美術史 Vol. 2,pp. 134 |
Hasegawa School............ | [VP] |
................. | Kodansha Encyclopedia of Japan (1983) Vol. 3, 107 |
................. | Roberts, Dictionary of Japanese Artists (1976) 219 |
................. | Paine and Soper, Art and Architecture of Japan (1981) 505 |
................. | Tazawa, Biographical Dictionary of Japanese Art (1981) 681 |
Hasegawa............ | [VP] |
................. | Heibonsha Survey of Japanese Art (1972-1980) Vol. 3, 30 |
Hasegawa-school............ | [Bureau AAT] |
................. | AAT-Ned (1994-) |
Escuela Hasegawa............ | [CDBP-DIBAM] |
................. | TAA database (2000-) |
Subject:............ | [Bureau AAT] |
................. | Bureau AAT, RKD |