木心乾漆雕刻塑形技術。將一層層吸滿漆料的布料，敷蓋於一實心木製鑄模上。此技術盛行於奈良時代（西元710年至749年）後半，取代了稱為「脫活乾漆」的中空乾漆技術。隨著技術的發展，更多細節加諸於木頭塑形上，布料的層疊也愈見輕薄。

木心乾漆(P,,U,繁體中文-偏好,D,U,U)
mu hsin kan ch'i(P,,U,韋氏拼音-偏好,UF,U,U)
mù xīn gān qī(P,,U,漢語拼音-偏好,UF,U,U)
mu xin gan qi(P,,U,漢語拼音(無聲調)-偏好,UF,U,U)
mokushin kanshitsu(P,,V,英文-偏好,D,L,U)
mokushin kanshitsu(P,,V,Japanese-偏好,D,U,U)

藝術與建築詞典根目錄
....活動層面
........過程與技術
............<過程與技術>
................<依特定種類區分之過程與技術>
....................<物件製作的過程與技術>
........................雕塑
............................雕刻技術
................................乾漆
....................................木心乾漆

followed....

脫活乾漆

英文....	Sculpture construction technique referred to as wood-core dry lacquer where layers of lacquer soaked cloth are applied over a solid wooden mold. This technique was popular during the last half of the Nara (710-749) period, replacing the hollow dry-lacquer technique, "dakkatsu kanshitsu." As the technique developed, more details were added to the wood form and the cloth layers became thinner.

木心乾漆............	[AS-Academia Sinica]
.................	AAT-Taiwan 借詞編輯與使用原則 (2013)
mokushin kanshitsu............	[VP]
.................	Grove Art Online (2008-) accessed 8 November 2008
.................	Mason, History of Japanese Art (1993) 389
.................	Moran, Ashura, a Dry-Lacquer statue of the Nara Period, Artibus Asiae (1964)
.................	Morse, Japanese Sculpture in Transition, Art Institute of Chicago Museum Studies (1987)
Subject:............	[VP]
.................	JAANUS [online] (2001-) accessed 8 November 2008
.................	Grove Art Online (2008-) accessed 8 November 2008
.................	Mason, History of Japanese Art (1993) 389
.................	Morse, Japanese Sculpture in Transition, Art Institute of Chicago Museum Studies (1987)

Getty AAT: 300310653 Getty AAT: http://www.getty.edu/vow/AATFullDisplay?find=costume&logic=AND¬e=&subjectid=300310653
聯合目錄： 木心乾漆 、mu hsin kan ch'i 、mù xīn gān qī 、mu xin gan qi 、mokushin kanshitsu 、mokushin kanshitsu