日本水墨 tarashikomi
範圍註 ：
混合顏色以營造獨特模糊效果的繪畫技巧。顏料以溼畫筆塗於畫面，在顏料尚未乾之前，再覆上第二層顏料。該技巧極可能源自於中國水墨畫，17世紀由日本畫家俵屋(Sosatsu)將該技術發揚光大，盛行於十八、十九世紀。該畫法最常見於日本琳派（Rimpa）風格。
詞彙 ：
日本水墨(P,,U,繁體中文-偏好,D,U,U)
滴落(,U,繁體中文-非偏好,UF,U,U)
tarashikomi(P,,U,英文-偏好,D,L,U)
tarashikomi(P,,U,荷蘭語-偏好,D,U,U)
tarashikomi(P,,U,西班牙語-偏好,D,U,U)
tarashikomi(P,,U,Japanese-偏好,D,U,U)
tamekomi(,V,Japanese-非偏好,UF,U,U)
滴落(,U,繁體中文-非偏好,UF,U,U)
tarashikomi(P,,U,英文-偏好,D,L,U)
tarashikomi(P,,U,荷蘭語-偏好,D,U,U)
tarashikomi(P,,U,西班牙語-偏好,D,U,U)
tarashikomi(P,,U,Japanese-偏好,D,U,U)
tamekomi(,V,Japanese-非偏好,UF,U,U)
層面/層級編碼： K.KT
層級架構：
藝術與建築詞典根目錄 ....活動層面........過程與技術............<過程與技術>................<依特定種類區分之過程與技術>....................<圖像製作的過程與技術>........................<繪畫與繪畫技術>............................繪畫技術................................<依應用方法或環境區分之繪畫技巧>
....................................日本水墨
其他範圍註 ：
| 英文.... | A technique involving the pooling of pigments to create distinctive blurred effects. Color is applied with a wet brush and a second color is then applied before the first has dried. The technique most likely originated in Chinese ink painting, but it was developed and made popular in Japan by Sosatsu in the 17th century and continued to be used throughout the 18th and 19th centuries. It was most often seen in Japanese Rimpa-style painting. |
| 荷蘭語.... | Een techniek waarbij kleurstoffen worden gecombineerd om karakteristieke vervagingseffecten te bereiken. Met een natte kwast wordt een kleur aangebracht en vervolgens wordt een tweede kleur aangebracht voordat de eerste is opgedroogd. De techniek wordt meestal aangetroffen in de Japanse rimpa-school. |
| 西班牙語.... | Una técnica que implica la reunión de pigmentos para crear efectos velados distintivos. El color se aplica con un cepillo mojado y un segundo color entonces se aplica antes de que el primero se haya secado. Fue visto más a menudo en la pintura japonesa del estilo Rimpa. |
來源與貢獻者：
| tarashikomi............ | [VP] |
| ................. | Grove Dictionary of Art online (1999-2002) "Tawaraya Sotatsu." Accessed 20 February 2004 |
| ................. | Metropolitan Museum of Art [online] (2001-) accessed 20 February 2004 |
| ................. | JAANUS [online] (2001-) accessed 8 November 2008 |
| ................. | Grove Art Online (2008-) accessed 8 November 2008 |
| ................. | Mason, History of Japanese Art (1993) 391 |
| ................. | Kita, The Bulls of Chomyoji, Monumenta Nipponica (1992) |
| ................. | TAA database (2000-) |
| ................. | AAT-Ned (1994-) |
| tamekomi............ | [VP] |
| ................. | Kita, The Bulls of Chomyoji, Monumenta Nipponica (1992) |
| Subject:............ | [Bureau AAT] |
| ................. | JAANUS [online] (2001-) accessed 8 November 2008 |
| ................. | Grove Art Online (2008-) accessed 8 November 2008 |
| ................. | Kita, The Bulls of Chomyoji, Monumenta Nipponica (1992) |
| ................. | Bureau AAT, RKD |
外部連結：
Getty AAT: 300264863
Getty AAT: http://www.getty.edu/vow/AATFullDisplay?find=costume&logic=AND¬e=&subjectid=300264863
聯合目錄： 日本水墨 、滴落 、tarashikomi 、tamekomi 、tarashikomi 、tarashikomi 、tarashikomi
聯合目錄： 日本水墨 、滴落 、tarashikomi 、tamekomi 、tarashikomi 、tarashikomi 、tarashikomi
引用：
[日本水墨 tarashikomi(編號300264863)]。《藝術與建築索引典》。http://aat.teldap.tw/AATFullDisplay/300264863（2024/11/22瀏覽）。