長崎 Nagasaki
範圍註 ：
指十七世紀至十九世紀間活躍於長崎的畫派。長崎是江戶時代（西元1600年至1868年）唯一對外開放的港口，之後長崎的畫家常以當地荷蘭與中國居民為繪畫主題，借用歐洲或中國的創新風格。此風格分為四個主要類型：木刻版畫、官方畫家繪製的官方肖象、中國風的花鳥畫、以及運用西方陰影與透視技法的個人主義作品。
詞彙 ：
長崎(P,,U,繁體中文-偏好,D,U,U)
ch'ang ch'i(P,,U,韋氏拼音-偏好,UF,U,U)
cháng qǐ(P,,U,漢語拼音-偏好,UF,U,U)
chang qi (P,,U,漢語拼音(無聲調)-偏好,UF,U,U)
Nagasaki(P,,U,英文-偏好,D,U,A)
Nagasaki(P,,U,荷蘭語-偏好,D,U,U)
Nagasaki(P,,U,西班牙語-偏好,D,U,U)
ch'ang ch'i(P,,U,韋氏拼音-偏好,UF,U,U)
cháng qǐ(P,,U,漢語拼音-偏好,UF,U,U)
chang qi (P,,U,漢語拼音(無聲調)-偏好,UF,U,U)
Nagasaki(P,,U,英文-偏好,D,U,A)
Nagasaki(P,,U,荷蘭語-偏好,D,U,U)
Nagasaki(P,,U,西班牙語-偏好,D,U,U)
層面/層級編碼： F.FL
層級架構：
藝術與建築詞典根目錄 ....風格與時代層面........風格與時代............<依區域區分之風格與時代>................亞洲....................東亞........................日本............................<日本風格 (先導詞)>................................<日本繪畫風格>
....................................長崎
其他範圍註 ：
| 英文.... | Refers to the work of a school of painters active in Nagasaki from the 17th century through the 19th century. Nagasaki was the only port open to foreigners during the Edo period (1600-1868), and consequently Nagasaki artists painted foreign subjects such as Dutch and Chinese residents of the city, often borrowng European or Chinese stylistic innovations. The style is evident in four main types: woodblock prints; official portraits painted by government artists; Chinese-inspired bird and flower paintings; and individualist work that often employed Western techinques of shading and perspective. |
| 荷蘭語.... | Verwijst naar het werk van een school van schilders die actief was in Nagasaki vanaf de 17de tot en met de 19de eeuw. Nagasaki was de enige haven die toegankelijk was voor buitenlanders tijdens de Edo-periode (1600-1868). Het gevolg was dat kunstenaars uit Nagasaki buitenlandse onderwerpen schilderden, zoals Nederlandse en Chinese bewoners van de stad, waarbij ze vaak Europese en Chinese stilistische innovaties overnamen. De stijl komt duidelijk naar voren in de vier hoofdtypen: houtsneden, officiële portretten geschilderd door overheidskunstenaars, Chinees-geïnspireerde schilderijen van vogels en bloemen, en individualistisch werk waarvoor vaak Westerse technieken voor schakering en perspectief werden gebruikt. |
來源與貢獻者：
| 長崎............ | [AS-Academia Sinica] |
| ................. | 和英對照日本美術用語辭典 p. 474 |
| Nagasaki............ | [VP] |
| ................. | Heibonsha Survey of Japanese Art (1972-1980) Vol. 3, 62 |
| ................. | Kodansha Encyclopedia of Japan (1983) Vol. 5, 305 |
| ................. | Roberts, Dictionary of Japanese Artists (1976) 220, School of painting with members largely from Nagasaki |
| ................. | Tazawa, Biographical Dictionary of Japanese Art (1981) 685 |
| ................. | AAT-Ned (1994-) |
| ................. | Enciclopedia Visual (1978) 6:37 |
| Subject:............ | [Bureau AAT] |
| ................. | Grote Bosatlas (1988) |
外部連結：
Getty AAT: 300113534
Getty AAT: http://www.getty.edu/vow/AATFullDisplay?find=costume&logic=AND¬e=&subjectid=300113534
聯合目錄： 長崎 、ch'ang ch'i 、cháng qǐ 、chang qi 、Nagasaki 、Nagasaki 、Nagasaki
聯合目錄： 長崎 、ch'ang ch'i 、cháng qǐ 、chang qi 、Nagasaki 、Nagasaki 、Nagasaki
引用：
[長崎 Nagasaki(編號300113534)]。《藝術與建築索引典》。http://aat.teldap.tw/AATFullDisplay/300113534（2024/09/20瀏覽）。